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'Cinema and Performance Arts' in subject
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1. | | Title: Backstory 2: interviews with screenwriters of the 1940s and 1950s Author: McGilligan, Patrick Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | TheatrePublisher's Description: "Backstory" is the screenwriter's term for what happens in a plot before the screen story begins. In this companion volume to McGilligan's widely praised Backstory: Interviews with Screenwriters of Hollywood's Golden Age , fourteen studio scribes active in later decades rail and reminisce about thei . . . [more]Similar Items | 2. | | Title: Backstory 3: interviews with screenwriters of the 1960s Author: McGilligan, Patrick Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | Film | WritingPublisher's Description: The Backstory series of unique "oral histories" chronicles the lives and careers of notable Hollywood screenwriters - in their own words. Backstory: Interviews with Screenwriters of Hollywood's Golden Age focused on the early sound era and the 1930s. Backstory 2 featured Interviews with Screenwriter . . . [more]Similar Items | 3. | | Title: Bad girls and sick boys: fantasies in contemporary art and cultureAuthor: Kauffman, Linda S 1949- Published: University of California Press, 1998 Subjects: Art | Literature | Cinema and Performance Arts | Popular Culture | American Studies | Gender StudiesPublisher's Description: Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic reson . . . [more]Similar Items | 4. | | Title: Before the nickelodeon: Edwin S. Porter and the Edison Manufacturing Company Author: Musser, Charles Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film | United States History | Popular CulturePublisher's Description: Musser takes us into the long-forgotten world of early cinema - unexpectedly sophisticated and yet radically different from current movie-making. Focusing on Edwin S. Porter, most often remembered as the producer of The Great Train Robbery , Musser situates Porter's achievements within the vibrant c . . . [more]Similar Items | 5. | | Title: Black African cinemaAuthor: Ukadike, Nwachukwu Frank Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | FilmPublisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmakin . . . [more]Similar Items | 6. | | Title: Buñuel and Mexico: the crisis of national cinemaAuthor: Acevedo-Muñoz, Ernesto R 1968- Published: University of California Press, 2003 Subjects: Cinema and Performance Arts | Latin American History | Latin American StudiesPublisher's Description: Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only English-language study of Buñuel's Mexican films, this boo . . . [more]Similar Items | 7. | | Title: Cecil B. DeMille and American culture: the silent era Author: Higashi, Sumiko Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | History | Film | Women's StudiesPublisher's Description: Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMil . . . [more]Similar Items | 8. | | Title: A certain realism: making use of Pasolini's film theory and practiceAuthor: Viano, Maurizio Sanzio 1950- Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | FilmPublisher's Description: Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films - Accattone , The Canterbury Tales , Medea , Saló - continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, a . . . [more]Similar Items | 9. | | Title: The ciné goes to town: French cinema, 1896-1914Author: Abel, Richard 1941- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | French Studies | European History | Popular CulturePublisher's Description: This updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents. Similar Items | 10. | | Title: Cinema and the invention of modern lifeAuthor: Charney, Leo Published: University of California Press, 1996 Subjects: Cinema and Performance Arts | Film | Intellectual History | Popular CulturePublisher's Description: Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popul . . . [more]Similar Items | 11. | | Title: Comedy/cinema/theoryAuthor: Horton, Andrew Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | FilmPublisher's Description: The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a . . . [more]Similar Items | 12. | | Title: A critical cinema 2: interviews with independent filmmakersAuthor: MacDonald, Scott 1942- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Women's StudiesPublisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore th . . . [more]Similar Items | 13. | | Title: A critical cinema 3: interviews with independent filmmakersAuthor: MacDonald, Scott 1942- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | FilmPublisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film histor . . . [more]Similar Items | 14. | | Title: Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videosAuthor: Barbash, Ilisa 1959- Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | Ethnic Studies | PhotographyPublisher's Description: This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail - information never before ass . . . [more]Similar Items | 15. | | Title: The dark mirror: German cinema between Hitler and HollywoodAuthor: Koepnick, Lutz P. (Lutz Peter) Published: University of California Press, 2002 Subjects: Cinema and Performance Arts | German Studies | Music | FilmPublisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appr . . . [more]Similar Items | 16. | | Title: Echo and Narcissus: women's voices in classical Hollywood cinema Author: Lawrence, Amy Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film | Women's StudiesPublisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of wom . . . [more]Similar Items | 17. | | Title: Eloquent gestures: the transformation of performance style in the Griffith Biograph films Author: Pearson, Roberta E Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | FilmPublisher's Description: Between 1908 and 1913, D. W. Griffith played a key role in the reformulating of film's narrative techniques, thus contributing to the creation of what we now think of as the classical Hollywood cinema. This book is the only extensive treatment of a critical period in the history of film acting: the . . . [more]Similar Items | 18. | | Title: Empire of ecstasy: nudity and movement in German body culture, 1910-1935 Author: Toepfer, Karl Eric 1948- Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | German Studies | Gender Studies | DancePublisher's Description: Empire of Ecstasy offers a novel interpretation of the explosion of German body culture between the two wars - nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents t . . . [more]Similar Items | 19. | | Title: Endless night: cinema and psychoanalysis, parallel historiesAuthor: Bergstrom, Janet 1946- Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | Art Theory | PsychologyPublisher's Description: The "endless night" that film theory and psychoanalysis share is the darkness that these two disciplines face in their quest for the logics of intelligibility. This collection emphasizes the history of theory to demonstrate that film theory must be written with a strong sense of historical conscious . . . [more]Similar Items | 20. | | Title: Film quarterly: forty years--a selection Author: Henderson, Brian Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | FilmPublisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more]Similar Items |
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